Autor-Archive:gaffaa

Prelaunch Haduwa Stage | Performance with GOLOKAL

At the prelaunch of HADUWA ARTS & CULTURE INSTITUTE Daniel Aschwanden & Conny Zenk  develop a set of scores in the frame of BASTARD CROWDING performed by Accra based performancegroup GOLOCAL: Daniel Clottey, Ralph Humble, Charles Nortey, Rhodaline Parlon HADUWA ARTS & CULTURE INSTITUTE is a meeting ground for artists and cultural practitioners in Africa„Prelaunch Haduwa Stage | Performance with GOLOKAL“ weiterlesen

LABADI RISING | visionXsound

Labadi Rising, 2014 3 min 33 sec Credits performance group: GOLOCAL by Serge Clottey directors: Conny Zenk / Daniel Aschwanden camera: Conny Zenk / Daniel Aschwanden animation & editing: Conny Zenk sound: Matthias Hurtl an urban sprawl, a gigantic, close-knit urban conglomerate along the westafrican coast from Abidjan to Lagos? The prediction of urbanist Mike„LABADI RISING | visionXsound“ weiterlesen

bastard.CROWD.[mobile]

an evening of improvisation including dance, performance, experimental music and media in three sets members of the „gadget –society“, come to join aproaches of re-analogisation, drift in (public) space and indulge in acts of happy self surveillance! Scan yourself, share the images and show them to your neighbour while you observe him doing the same„bastard.CROWD.[mobile]“ weiterlesen

supersuit . projection mapping

Intervention mit SUPERSUIT auf einer Brache im Stadtentwicklungsgebiet zwischen neuem Hauptbahnhof und ERSTE Campus in Wien. SUPERSUIT als Kommentar zur Architektur rundherum. Der SUPER SUIT changiert zwischen Anzug und Architektur und bekleidet einen Performer, der die öffentlichen Räume Wiens (und anderer Städte) erforscht und darin interveniert. Der Performer, in Symbiose mit seinem Anzug dehnt sich„supersuit . projection mapping“ weiterlesen

CHORUS + BASTARD CULTURE „How user participation transforms cultural production“ is one of the main questions in Mirko Tobias Schäfer’s book bastard culture. Participation has become a key concept and is used to frame emerging media practices. It considers transformation of former audiences into active participants and agents of cultural production. Schäfer describes the consequences weiterlesen

workshop @zajia lab

We are working and improvising with practices of „blending together“ different media, constituting hybrid formats including bodywork, performance as urban intervention and playing with gadgets. The workshops are aimed at people who want to investigate structures of public spaces that exist in the physical world and online and who would like to play with these„workshop @zajia lab“ weiterlesen

workshop @flicking your forehead

We are working and improvising with practices of „blending together“ different media, constituting hybrid formats including bodywork, performance as urban intervention and playing with gadgets. The workshops are aimed at people who want to investigate structures of public spaces that exist in the physical world and online and who would like to play with these„workshop @flicking your forehead“ weiterlesen

UPCOMING WORKSHOPS | BEIJING

这是一项将不同媒介构成和混杂样式杂糅在一起的实践。我们将用行动来表现公共空间和公共参与中令人 质疑的方面，同时，也会展现出实践的具体化和联通性。即涉及个人意象的巨大生产和其后续的监控。这其中包括了对其他相关领域的同步研 究：即兴的群体运作和使用新设备制作的数码图像群。我们将与非专业人士，以及训练有素的舞者合作，即兴运用配乐，例如“拥挤现象 ”——物理运动结合在数字端的图像处理。 编舞／表演艺术家Daniel Aschwanden和数码艺术家 Conny Zenk自2010年开始合作。两人在城市环境中，实现了各种跨 学科项目。 A practice of „blending together“ different media constitutes our hybrid formats. We will act out questioning aspects of public space, participation, as well as practices of embodiment and connectivity – refering to the immense production of personal imagery and subsequent aspects of surveillance. This involves a„UPCOMING WORKSHOPS | BEIJING“ weiterlesen